Browse by Subject

Up a level
Export as [feed] Atom [feed] RSS
Group by: Creators | Item Type
Jump to: A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | R | S | T | V | W | Y
Number of items: 267.


Adams, Lesley CV for Lesley Adams. UCA Research Online.

Adams, Lesley CV for Lesley Adams. UCA Research Online.

Allen, Richard (2012) Garage Band: A Site-Specfic Performance 24/05/2012 - 27/05/2012. [Show/Exhibition]

Allen, Richard (2016) The Measure of All Things: Rethinking Humanism through Art (Group Show). [Show/Exhibition]

Allen, Richard (2016) Theatrical Latency: Walking Katrina Palmer’s The Loss Adjusters.

Allen, Richard (2016) The Theatricality of Objects: Object Theatre Beyond the Puppet.


Bacon, Jane (2009) The Choreographic Lab. [Show/Exhibition]

Bacon, Jane (2009) Landscape and Art. [Show/Exhibition]

Barber, George (2006) Automotive action painting. [Art/Design Item]

Bech, Tine (2010) Catch me now. Watermans.

Benge, Bryan CV. [Artefact]

Benn, Susan and Mey, Kerstin (2010) Olfact – on a pedagogy of curiosity©. In: UNSPECIFIED LIT.

Best, Kathryn (2006) Design management: managing design strategy, process and implementation. AVA Academia Publishing.

Best, Kathryn (2009) The fundamentals of design management. AVA Academia Publishing.

Bovey, Simon (2016) Teaching Rules or Teaching Creativity: a Paradigm Shift. In: UNSPECIFIED.

Briginshaw, Valerie A. (2006) Deconstruction in die orchidee: mischievous plays in the spaces between language and meanings. In: UNSPECIFIED Routledge.

Briginshaw, Valerie A. (2005) From performance through narrative to interconnected subjectivities. In: UNSPECIFIED Peter Lang.

Brown, Victoria (2010) Monologues: Victoria Brown.

Brown, Victoria and Groppel-Wegener, A. C. (2012) Pairings - A Conversation: Exploring Collaborative Creative Practice. [Show/Exhibition]

Buchan, Suzanne (2006) Animated 'worlds'. John Libbey.

Buchan, Suzanne (2006) Animated chaiaroscuro. In: UNSPECIFIED Norwich International Animation Festival Ltd.

Buchan, Suzanne (2011) Bruno Schulz’s ‘Generatio aequivoca’: sites of (dis-)enchantment in the Quay Brothers’ street of crocodiles. In: UNSPECIFIED Cambridge Scholars Publishing.

Buchan, Suzanne (2008) Extracinematic animation: Gregory Barsamian in conversation with Suzanne Buchan.

Buchan, Suzanne (2011) Ghosts in the machine: experiencing animation. In: UNSPECIFIED Merrell.

Buchan, Suzanne (2011) A Metaphysics of space: The Quay Brothers atmospheric cosmogonies. In: UNSPECIFIED Princeton Architectural Press.

Buchan, Suzanne (2007) Oscillating at the 'high/low' art divide: curating and exhibiting animation. In: UNSPECIFIED Intellect.

Buchan, Suzanne (2006) Playing with words: typography and text. In: UNSPECIFIED Norwich International Animation Festival Ltd.

Buchan, Suzanne (2011) The Quay Brothers: into a metaphysical playroom. University of Minnesota Press.

Buchan, Suzanne (2011) The Quay Brothers: into a metaphysical playroom. University of Minnesota Press.

Buchan, Suzanne (1998) The Quay brothers: choreographed chiaroscuro, enigmatic and sublime.

Buchan, Suzanne (2005) Spacetricks : Trickraum. Christoph Merian Verlag.

Buchan, Suzanne (2011) Tricky spaces: animation, installation and spatial politics. In: UNSPECIFIED Schüren Verlag.

Buchan, Suzanne (2002) Uncanny place, narrative space: the architectural imagination of animation. In: UNSPECIFIED Bunkier Sztuki Contemporary Art Gallery.

Buchan, Suzanne (2007) The animation fulcrum. In: UNSPECIFIED San Diego Museum of Art.

Buchan, Suzanne (2010) A curious chapter in the manual of animation: Stan VanDerBeek's animated spatial politics.

Butler, Paul Pilgrimage. [Art/Design Item]


Cattaneo, Jac; Gramstadt, Marie-Therese and Tappenden, Curtis (2013) Create curate collaborate! Expanding student responses to the V&A through the juxtaposition of creative writing and non-linear presentation technology. In: UNSPECIFIED University of Brighton Press.

Chell, Edward and Halliday, Amy (2011) In conversation: Edward Chell. Swedenborg Society.

Chubb, Shirley (2011) One Hour. [Show/Exhibition]

Chubb, Shirley (2011) One Minute. [Show/Exhibition]

Chubb, Shirley (2014) Shirley Chubb. In: UNSPECIFIED Shrewsbury Museum and Art Gallery.

Chubb, Shirley; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer (2011) Location and intervention: Visual practice enabling a synchronic view of artefacts and sites. In: UNSPECIFIED Routledge.

Chubb, Shirley; Bryant, Neil; Moore, Ann and Saber-Sheikh, Kambiz (2014) Significant Walks. In: UNSPECIFIED.

Coekin, Chris (2006) Knock three times. [Art/Design Item]

Cooke, Randal (2006) By Sat. [Art/Design Item]

Cooke, Randal (2003) Hart. [Art/Design Item]

Cooke, Randal (1970) Light cadmium shift. [Art/Design Item]

Cooke, Randal Mall dice. [Art/Design Item]

Cooke, Randal (2006) Maroon black oval 1. [Art/Design Item]

Cooke, Randal (1970) Maroon black yellow. [Art/Design Item]

Cooke, Randal Nnn. [Art/Design Item]

Cooke, Randal Red shift. [Art/Design Item]

Cooke, Randal Untitled. [Art/Design Item]

Cooke, Randal (1970) Untitled. [Art/Design Item]

Cooke, Randal (1970) Untitled. [Art/Design Item]

Cooke, Randal Ww. [Art/Design Item]

Cooke, Randal (2006) Yysmal. [Art/Design Item]

Couch, Amanda; Hladky, Andrew and Lee, Mindy (2013) On Innards: three-way conversation by Amanda Couch, Andrew Hladky and Mindy Lee. In: UNSPECIFIED.

Coulter-Smith, E. and Price, Colin (2005) Relocating the Frame: Object-Oriented (1.) and Locative Art (2.) Environments. In: UNSPECIFIED.


Da Gandra, Maria; Moret, Madeleine and Van Neck, Maaike (2010) Fog & conflict: exploring cross-disciplinary and methodological positions in information design. Mwmcreative Limited.

Darley, Andrew (2000) Visual digital culture: surface play and spectacle in new media genres. Routledge.

Davidson, Andrea (2011) Intersensoriality, immersion and environment in digital art: Paroles trouvées, a spatialised musical, videochoreographic, optical installation.

Davidson, Andrea (2009) Paroles trouvées. [Show/Exhibition]

Davidson, Andrea (2009) Paroles trouvées. [Video]

Davidson, Andrea and Kelly, Jem (2011) Digital perception, time and memory: towards a new model of narration in dance.

Davidson, Andrea and Kelly, Jem (2009) Inter_views. [Show/Exhibition]

Davidson, Andrea and Kelly, Jem (2009) Inter_views: an interactive telematic research project for internet. [Video]

Davies, Andy (2015) Andy Robert Davies Illustration: Professional Runner-up - The White Hart.

Davies, Andy (2016) 'Granny' Selected for the Cheltenham Illustration Awards 2016. [Show/Exhibition]

Davies, Andy (2016) Visualising Spaces: The Illustrated Map as a Mode of Communicating Fact, Fiction and Feeling.

Dettmers, Silke (2003) Raft. [Art/Design Item]

daCosta, Charles C. H. (2007) Racial stereotyping and selective positioning in contemporary British animation. UNSPECIFIED thesis, UNSPECIFIED.


Edwards, Sean (2014) All Pages Beginning with Clandestine. [Show/Exhibition]

Edwards, Sean Drawn in Cursive (Part 3). [Show/Exhibition]

Edwards, Sean (2014) Echo (Group Exhibition Series). [Show/Exhibition]

Edwards, Sean (2014) Ghostsign. [Artefact]

Edwards, Sean (2015) Just a Little Glass of Water. [Show/Exhibition]

Edwards, Sean 'Practice Object Bronze Soft Play’ in Adventures in Bronze, Stone and Clay (Group exhibition). [Show/Exhibition]

Edwards, Sean 'Practice Table' in Good Things Come... (Group exhibition). [Show/Exhibition]

Edwards, Sean Sapling. [Artefact]

Edwards, Sean (2016) Talk at 'Sticky Intimacy Symposium'. In: UNSPECIFIED.

Edwards, Sean (2015) Thickness on Paper (Draft 1). In: UNSPECIFIED.

Edwards, Sean (2016) Thickness on Paper (Draft 2). In: UNSPECIFIED.

Edwards, Sean (2016) 'Untitled 2007/2013' and 'Untitled' in Ground (Group exhibition). [Show/Exhibition]

Elliott, Paul (2017) “Art Will Not Disappear Into Nothing; It Will Disappear Into Everything“: The Black Audio Film Collective and Latin America. In: UNSPECIFIED Manchester University Press.

Elliott, Paul (2014) The British War Film. In: UNSPECIFIED Intellect Press.

Elliott, Paul A Hint of the Lavender - The Gay Gangster in British Crime Cinema. In: UNSPECIFIED Wiley Blackwell.

Elliott, Paul (2011) Hitchcock and the Cinema of Sensations. IB Tauris.

Elliott, Paul (2013) “Now I’m The Monster”: Remembering, Repeating and Working Through in Dead Man’s Shoes and TwentyFourSeven. In: UNSPECIFIED Edinburgh University Press.

Elliott, Paul (2013) Studying the British Crime Film. Auteur Press.

Elliott, Paul (2017) Through Class Darkly: Class in the British TV Noir. In: UNSPECIFIED Palgrave.


Farman, Virginia (2002) Blush. [Show/Exhibition]

Fisher, James (2015) Encountering the Spectre of Painting.

Fisher, James (2015) Unfolding the Archive (Group Exhibition). [Show/Exhibition]

Foster, Alicia (2004) Tate women artists'. Tate Publishing.

Foster, Paul and Williams, Gaynor (2006) David Goodman: artist and essayist. University of Chichester.

Fowler, Stephen (2016) Rubber Stamping: Get Creative with Stamps, Rollers and Other Printmaking Techniques. Laurence King Publishing.

Fox, Anna (1988) Work Stations. [Art/Design Item]

Frey, Hugo (2002) History and memory in Franco-Belgian Bande Dessinée (BD).

Frey, Hugo (2004) Louis Malle. Manchester University Press.

Frey, Hugo (2008) Trapped in the past: The persistence of anti-semitism in Hergé’s 'Flight 714'. In: UNSPECIFIED University Press of Mississippi.

Froome-Lewis, Oliver (2009) Touching the city. CSA - Canterbury School of Architecture.


Gange, John (2006) Georges Bataille and an erotics of the image. UNSPECIFIED thesis, UNSPECIFIED.

Garrett, Leigh and Gramstadt, Marie-Therese (2012) KAPTUR: examining the importance and effective management of research data in the visual arts. In: UNSPECIFIED.

Garrett, Leigh and Gramstadt, Marie-Therese (2012) KAPTUR: exploring the nature of visual arts research data and its effective management.

Garrett, Leigh; Gramstadt, Marie-Therese; Burgess, Robin; Murtagh, John; Spalding, Mary-Anne and Nadim, Tahani (2012) JISC funded Kaptur project environmental assessment report. UNSPECIFIED. Visual Arts Data Service (VADS), a Research Centre of the University for the Creative Arts.

Garrett, Leigh; Robinson, Amy and Collomosse, John (2012) I spy: reality in a visual world. In: UNSPECIFIED.

Garrett, Leigh; Robinson, Amy and Collomosse, John (2012) Look no text! Visual searching techniques. In: UNSPECIFIED.

Garrett, Thomas Butler (2009) The puppet, the cinematic and contemporary visual theatre: principles, practices, logos. UNSPECIFIED thesis, UNSPECIFIED.

Gersht, Ori (2012) Artist book: Ori Gersht. Photoworks.

Gilhooly, Jonathan (2010) Enchanted objects: agency in the magic act and contemporary art practice. UNSPECIFIED thesis, UNSPECIFIED.

Golz, Paul; Bowers, Christopher and Price, Marc (2016) A Practical Approach to Using Motion Capture in Performance Dance. In: UNSPECIFIED.

Golz, Paul; Bowers, Christopher and Price, Marc (2016) A Practical Approach to Using Motion Capture in Performance Dance.

Gramstadt, Marie-Therese (2008) Cross-departmental initiative to produce an online Image Library for staff at the National Gallery, London.

Gunn, Rosie (2003) Reconnection. [Art/Design Item]


Hamlyn, Nicky (2011) CV for Professor Nicky Hamlyn. Nicky Hamlyn.

Hamlyn, Nicky (2003) Film art phenomena. British Film Institute.

Hamlyn, Nicky (2007) London avant-garde round-up.

Hamlyn, Nicky (2006) Magnetic memory: a day-long video tribute to Nam June Paik.

Hamlyn, Nicky (2011) Medium practices. In: UNSPECIFIED York University.

Hamlyn, Nicky (2011) Medium practices.

Hamlyn, Nicky (2011) Mutable screens: the expanded films of Guy Sherwin, Lis Rhodes, Steve Farrer and Nicky Hamlyn. In: UNSPECIFIED Tate Publishing.

Hamlyn, Nicky (2007) Peter Kubelka's Arnulf Rainer. In: UNSPECIFIED Rodopi.

Hamlyn, Nicky (2012) What's wrong with cinema in the gallery?

Hatfiled, Jackie and Littman, Steve (2004) Experiments in moving image. Epigraph Publications Limited.

Herbaut, Kasia (2015) Unbearable darkness of being... : a research-led performance exploring trauma, dissociation and the study of human survival. UNSPECIFIED thesis, UNSPECIFIED.

Hilton, Stuart (2013) CV for Stuart Hilton. UCA.

Hoseini-Shakib, Fatemeh (2009) The hybrid nature of realism in the Aardman studio's early animated shorts. UNSPECIFIED thesis, UNSPECIFIED.


Ireopoulos, Fil (2010) The film poem. UNSPECIFIED thesis, UNSPECIFIED.


Johnson, Christy (2005) A tale of two feasts - Christy Johnson & 33 Confessors. [Art/Design Item]

Johnston, Rachel Making stories.

Johnston, Rachel (2011) One Kilogramme of Red Wool (Sea). [Show/Exhibition]

Johnston, Rachel (2015) Therapeutic endeavours?

Johnston, Rachel; Neville, Richard and Lawlor, Emily (2009) Unpacking the Past. [Show/Exhibition]

Joule, Andy CV and chronology of professional animation work. [Art/Design Item]

Joule, Andy (2011) La paradoja del tiempo en animación (translation: a for animation).


Kapteijn, Christine (2007) Abram Games, Graphic Designer: maximum meaning, minimum means. [Art/Design Item]

Kelly, Jem (2007) Pop music, multimedia and live performance. In: UNSPECIFIED Edinburgh University Press.

Knorr, Karen (2008) Fables, Château Chantilly. [Art/Design Item]

Knorr, Karen (2006) Fables, Musee Carnavalet. [Art/Design Item]

Kohe, Geoff (2012) Decorative Dashes: Disrobing the Fabric of Streaking.

Kotting, Andrew (2006) In the wake of a deadad. [Art/Design Item]

Kotting, Andrew (2006) In the wake of a deadad. UCCA - University College for the Creative Arts.

Kotting, Andrew and Evans, Gareth (2006) What he does, how he does it and the context in which it has been done: an alphabetarium of Kotting. In: UNSPECIFIED John Libbey Publishing.

Kubicki, Kathy (2009) Francis Bacon Archive, Tate Britain, London.

Kubicki, Kathy (2010) Shirin Neshat. In: UNSPECIFIED Phaidon.


Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing.

Lang, Martin and Grimwood, Tom (2012) Militant training camp and the aesthetics of civil disobedience.


Matthews, Bob (2011) Utopias. [Art/Design Item]

Matthews, Bob (2006) World gone mad: surrealist returns in recent British art. Castefield Gallery.

Matthews, Bob; Lee, Michael; Herbert, Martin and Maerkle, Andrew (2011) Utopias: a collaboration. Singapore International Foundation.

McDade, Steven (2012) Margins of the Lane artist statement. [Show/Exhibition]

Mey, Kerstin (2010) AES+F – more than just a matter of (bad) taste. In: UNSPECIFIED Liverpool University Press and Tate Liverpool.

Mey, Kerstin (2010) Afterword: in/ter/ceptions and in/tensions – situating Suzanne Lacy's practice. In: UNSPECIFIED Duke University Press.

Mey, Kerstin (2007) Art and obscenity. IB Tauris.

Mey, Kerstin (2005) Art in the making: aesthetics, historicity and practice. Peter Lang.

Mey, Kerstin (2002) Bodies of substance: works by Margaret Hunter, Azade Köker, Ping Qiu. Talbot Rice Gallery.

Mey, Kerstin (2010) But where is the art? In: UNSPECIFIED Public Communications Centre.

Mey, Kerstin (2008) How do we know it works? On the evaluation of creative practices. In: UNSPECIFIED University of Ulster.

Mey, Kerstin Introduction: insights, vistas, knowledge. Peter Lang.

Mey, Kerstin (2007) Introduction: passages and vistas. In: UNSPECIFIED BBeyond.

Mey, Kerstin (2007) Kunst und Identität in umstrittenen Räumen. In: UNSPECIFIED transcript.

Mey, Kerstin (2007) Making porn into art. In: UNSPECIFIED Berg.

Mey, Kerstin (2009) Object rehearsals – Études on Lyndsay Mann’s art.

Mey, Kerstin (2005) On-site/in-sight.

Mey, Kerstin (2007) Permutations: site and location. In: UNSPECIFIED University of Sunderland Press.

Mey, Kerstin (2001) Sculpsit: contemporary artists on sculpture and beyond. Manchester University Press.

Mey, Kerstin (2006) The gesture of writing. In: UNSPECIFIED Routledge.

Mey, Kerstin (2008) A life in the file of ... or 'Data Protection'. In: UNSPECIFIED Interface: Centre for Art, technologies and Design, University of Uklster and Locus+ Archive.

Mey, Kerstin; Huffman, Kathy Rae and Driver, Cherie (2009) ISEA2009: 15th International Symposium on electronic art – Catalogue. University of Ulster.

Mey, Kerstin and Spielmann, Yvonne (2005) Editorial.


Nicholson, Mike (2007) Home. In: UNSPECIFIED Wire Design Ltd..

Nicholson, Mike (2007) Stand well back: notes from the Locus position.

Nicholson, Mike and Antonetti, Martin (2008) Parallel readings: subjective notes from both a curator and a book artist.

Noys, Benjamin (2014) Film-of-Life: Agamben’s Profanation of the Image. In: UNSPECIFIED Bloomsbury Academic.

Noys, Benjamin (2014) Malign Velocities: Accelerationism and Capitalism. Zero Books.

Noys, Benjamin (2014) The art of the absolute: relations, objects, and immanence.


Odundo, Magdalene (2011) Objects, art and material culture. In: UNSPECIFIED Africa World Press.


Panse, Silke (2005) Alexandr Sokurov. In: UNSPECIFIED Taylor and Francis.

Panse, Silke (2000) Artists and models: re-enactments and other repetitions in life, art and the jungle in the documentary works of Werner Herzog and Tracey Emin. In: UNSPECIFIED.

Panse, Silke (2001) Autobiographical art beyond post-structuralism: Tracey Emin’s life-stories and their reception as celebrity biography. In: UNSPECIFIED.

Panse, Silke (2005) Believing in documentary? Werner Herzog’s “Jesus” as a deleuzian simulacrum. In: UNSPECIFIED.

Panse, Silke (2005) Between the visionary and the documentary: self-reflexivity and physicality in Werner Herzog’s documentaries. In: UNSPECIFIED.

Panse, Silke (2000) Book review 'The New Documentary: A Critical Introduction'.

Panse, Silke (2008) Collective subjectivity in 'The Children of Golzow' vs alienation in 'Western' interview documentary. In: UNSPECIFIED Open University Press.

Panse, Silke (2008) Collective subjectivity in 'The Children of Golzow' vs. Alienation in Western Interview Documentary. In: UNSPECIFIED.

Panse, Silke (2006) Documentary against transparency: Alexandr Sokurov’s Elegy of a Voyage. In: UNSPECIFIED.

Panse, Silke (2005) Eberhard Fechner. In: UNSPECIFIED Taylor and Francis.

Panse, Silke (2005) Hartmut Bitomsky. In: UNSPECIFIED Taylor and Francis.

Panse, Silke (2008) How Socialist Documentary became Self-reflexive: 'The Children of Golzow' from Collective Subjectivity to Individual Objectivity. In: UNSPECIFIED.

Panse, Silke (2008) How socialist documentary became self-reflexive: 'The Children of Golzow' from collective subjectivity to individual objectivity. In: UNSPECIFIED.

Panse, Silke (2010) Land Film: Subjectivities and Structure, Ecology and Economy in James Benning’s Documentaries. In: UNSPECIFIED.

Panse, Silke (2010) Land Film: Subjectivities and Structure, Ecology and Economy in James Benning’s Documentaries. In: UNSPECIFIED.

Panse, Silke (2013) Land as protagonist – an interview with James Benning. In: UNSPECIFIED Berghahn.

Panse, Silke (2008) Land of science and artness: translation, documentary and the copy. In: UNSPECIFIED.

Panse, Silke (2011) Moving tears moving images: A critique of judgment in documentary television. In: UNSPECIFIED.

Panse, Silke (2010) On the dominance of experience. In: UNSPECIFIED.

Panse, Silke (2009) On the dominance of experience. In: UNSPECIFIED.

Panse, Silke (2001) Promiscuous narrations: Tracey Emin between biography and autobiography. In: UNSPECIFIED.

Panse, Silke (2007) Subjectivity, (self-)reflexivity and repetition in documentary. UNSPECIFIED thesis, UNSPECIFIED.

Panse, Silke (2013) Ten skies, 13 lakes, 15 pools - structure, immanence and eco-aesthetics in 'The Swimmer' and James Benning's land films. In: UNSPECIFIED Berghahn.

Panse, Silke (2011) Towards a sculptural reading of scale and size in film and television: miniature models and opaque realism. In: UNSPECIFIED.

Panse, Silke (2000) Werner Herzog’s Documentaries in the Aftermath of Fiction. In: UNSPECIFIED.

Panse, Silke (2005) Winfried and Barbara Junge. In: UNSPECIFIED Taylor and Francis.

Panse, Silke (2007) The bullets confirm the story told by the potato: materials without motives in 'CSI: Crime Scene Investigation'. In: UNSPECIFIED I. B. Tauris.

Panse, Silke (2007) “The bullets confirm the story told by the potato”: object subjectivity and materials without motives in 'CSI: Crime Scene Investigation'. In: UNSPECIFIED.

Panse, Silke (2006) The filmmaker as rueckenfigur, documentary as painting: Alexandr Sokurov in 'Elegy of a Voyage'.

Parfitt, Clare (2009) ‘Like a butterfly under glass’: the cancan, Loïe Fuller and cinema.

Parker, David; Bacon, Jane and Evans, Michael (2011) Enchantment: contemporary arts and depth experience. In: UNSPECIFIED.

Price, Colin (2005) The Visual Arts as a Canvas for Teaching Computer Programming. In: UNSPECIFIED.

Pringle, Mike; Shepherd, Rupert and Christie, Polly (2007) The hunt for submarines in classical art: mappings between scientific invention and artistic interpretation. UNSPECIFIED. AHDS Visual Arts.


Rahtz, Dominic (2012) Carl Andre, Artisan.

Rahtz, Dominic (2012) Indifference of material in the work of Carl Andre and Robert Smithson.

Reveler, John Alfred (2009) The role of the artist and the influences of patronage in site-specific art. UNSPECIFIED thesis, UNSPECIFIED.

Robinson, Amy (2011) Look-here!: digitisation and collaboration in the visual arts. In: UNSPECIFIED JISC.

Robinson, Amy (2012) More than just a pretty interface: three recent projects at the Visual Arts Data Service.

Robinson, Amy and Gramstadt, Marie-Therese (2013) Uncovering hidden treasures in silver trunks: the Zandra Rhodes Digital Study Collection. In: UNSPECIFIED.

Rogers, Kathleen (2009) Cocoon. [Art/Design Item]

Rogers, Kathleen (2009) Tremor. [Art/Design Item]

Rogers, Kathleen and Holme, Adrian (2009) Jam! art, science and beyond. In: UNSPECIFIED.

Rowland, Natalie (2014) Lighting the lit; Luminosity as protagonist in mediated performance.

Rowland, Natalie (2014) Looking up while looking down - workshop. In: UNSPECIFIED.

Rowland, Natalie (2014) The language of light in twenty-first century performance. In: UNSPECIFIED.

Rubidge, Sarah F. (2010) Fugitive moments. [Video]

Rubidge, Sarah F. (2010) Fugitive moments: Artist's report of research project undertaken as part of the Wellcome Trust People's Award (2004-2006). UNSPECIFIED. Sarah Rubidge.

Rugg, Judith (2010) Disorder from the edge: spaces of inside and outside and the boundaries of anxiety. In: UNSPECIFIED.

Rugg, Judith (2005) Maternal loss, transitional space and the uncanny in Alison Marchant's Kingsland Road, London—East.

Rugg, Judith (2002) Utopia from dystopia: the Women's Playhouse Trust and the Wapping Project. In: UNSPECIFIED Intellect Books.

Rugg, Judith and Martin, Craig (2012) Spatialities: the geographies of art and architecture. Intellect Books.


Sagan, Olivia (2014) “Hope crept in”: a phenomenological study of mentally ill artists’ biographic narrative.

Selby, Mark (2014) The Gibson Girl: a reflection on kite flying.

Spalding, Mary-Anne (2013) Raising the profile of research data management: the UCA story. In: UNSPECIFIED.

Student, A. (2014) Dissertation outline - critically analysing the Western colonial gaze. UNSPECIFIED thesis, UNSPECIFIED.

Student, A. (2016) An exploration of a child’s inner world through art. UNSPECIFIED thesis, UNSPECIFIED.

Student, A., (2015) Hannah Wilke fourth wave pioneer. UNSPECIFIED thesis, UNSPECIFIED.

Student, A., (2015) How Does the Notion of Ruin Underlie Works by Anselm Kiefer and Frank Auerbach? UNSPECIFIED thesis, UNSPECIFIED.

Student, A., (2015) What constitutes Installation from Sculpture? UNSPECIFIED thesis, UNSPECIFIED.

Student, A., (2015) What is the definition of a Filmmaker in comparison to an Artist working in film? Steve McQueen: Fimmaker or Artist? UNSPECIFIED thesis, UNSPECIFIED.

Summers, Francis (2008) Allegorical interruptions: ruined representations and the work of Ken Jacobs.

Summers, Francis (2011) ...When all attachments are replaced with survival. In: UNSPECIFIED Artwords Press.

Swift, Elizabeth (2010) Losing the Plot - An Exploration of Narrative Collaboration and Control in Second Life.


Tao, Lin (2007) Neither presenting nor non-presenting: constructing a methodological framework to re-present Chinese calligraphy -an art burdened with tradition. UNSPECIFIED thesis, UNSPECIFIED.

Tappenden, Curtis (2011) Wobbling: personal reflections on selfdoubt. In: UNSPECIFIED University of Brighton.

Tappenden, Curtis (2013) The poise of the pen.

Tappenden, Curtis and Laslett, Penny (2009) The 14-19 Diploma: partnering and piloting the agenda within Higher Education to enhance and inspire future learners. [Art/Design Item]

Taylor, Rebekah (2013) Working Press, books by and about working class artists, 1986-1996: collaborative cataloguing. In: UNSPECIFIED.

Taylor, Rebekah and Andrews, Rebecca (2013) LGBT photography archives: the archive and work of LGBT photographer Tessa Boffin and current professional photographer Rebecca Andrews, a graduate of UCA. In: UNSPECIFIED.

Taylor, Rebekah and Martin-Bowtell, Adele (2014) Artchive: archives for creative art students.

Trafford, James; Pendrell, Luke and Mackay, Robin (2014) Speculative aesthetics. Urbanomic.


Vacher, Jean (2013) Norah Braden. In: UNSPECIFIED Fry Art Gallery.


Waeckerlé, Emmanuelle (2006) Lagerhaus rubbings. Emmanuelle Waekerle.

Wainwright, Jean (2011) Andy Warhol's altered ego.

Wainwright, Jean (2002) Interview with Tracey Emin. In: UNSPECIFIED Thames & Hudson.

Wainwright, Jean (2012) Mediated pain: Andy Warhol's Exploding Plastic Inevitable. In: UNSPECIFIED.

Wainwright, Jean (2011) My search for Andy Warhol's voice. In: UNSPECIFIED De La Warr Pavilion.

Wainwright, Jean (2010) Speaking of art: four decades of art in conversation. Phaidon.

Wainwright, Jean (2004) Telling times. In: UNSPECIFIED Thames & Hudson.

Walker, James (2005) A terror lexicon: shadows, places and ghosts. In: UNSPECIFIED Paul Holberton.

Williamson, Judith (1986) Consuming passions: the dynamics of popular culture. Marion Boyars.

Williamson, Judith (1986) Consuming passions: the dynamics of popular culture. Marion Boyars.

Williamson, Judith (1983) Images of 'woman'.

Williamson, Judith (1983) Images of 'woman'.

Williamson, Judith (2011) Unfreezing the truth: knowledge and denial in climate change imagery. In: UNSPECIFIED Now Future.

Wilson, Gillian (2009) Life and art: work related learning in Margate. University for the Creative Arts.

Wilson, Ross (2015) The Past and Present War: Political Cartoons and the Memory of the First World War in Britain.


Yousefzadeh Tabasi, Reza (2011) The effect of context on socially-engaged animation: the case of Mr and Mrs Mockroach. UNSPECIFIED thesis, UNSPECIFIED.

Yuill, Simon and Mey, Kerstin (2004) Cross-Wired -communication–interface–locality-. Manchester University Press.

This list was generated on Tue Dec 12 04:44:49 2017 GMT.