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Group by: Creators | Item Type
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Number of items: 164.

A

Allen, Heather; Chubb, Shirley; Dickinson, Roger; Majerus, Marianne; Rielly, James; Sekules, Veronica and Tickle, Les (1997) Collections and Reflections: The Transformative and Assimilative Uses of Art Objects. Arts Council of England.

Allen, Richard (2012) Garage Band: A Site-Specfic Performance 24/05/2012 - 27/05/2012. [Show/Exhibition]

Allen, Richard (2013) Ghost Machine: a Sound Performance. [Performance]

Allen, Richard (2012) Kantor's Anthropological Machine.

Allen, Richard (2013) The Object Animates: Displacement and Humility in the Theatre of Philippe Quesne.

Allen, Richard (2015) Panoramic Sea Happening (After Kantor): Video Installation. [Video]

Allen, Richard (2016) Theatrical Latency: Walking Katrina Palmer’s The Loss Adjusters.

Allen, Richard (2016) The Theatricality of Objects: Object Theatre Beyond the Puppet.

Allen, Richard and May, S. (2015) Encountering Anthropomorphism (Editorial).

Ayling-Smith, Beverly; Bagley, Kim; Baxter, Gail; Bowen, Sarah; Couzins, Richard; Gulliford, Mathew; Henderson, Phillip; Jessop, Michelle; Lopes, Maria Manuela Carvalho de Sousa; Lovey, Christina; Makryniotis, Thomas; Nolan, Katherine; Price, Judy; Quarini, Carol; Ryland, Susan and Smith, Vicky (2011) Research students exhibition catalogue 2011. University for the Creative Arts.

B

Bacon, Jane (2015) Authentic Movement A Field of Practices.

Bacon, Jane and Wainwright, Richard (2007) Authentic movement. In: UNSPECIFIED.

Barber, George; Bech, Tine; Bougdah, Hocine; Buchan, Suzanne; Bull, Stephen; Chell, Edward; Coekin, Chris; Ferrier, Alisa; Fox, Anna; Gregson, Andrea; Hamlyn, Nicky; Harrison, Lucy; Heywood, Anthony; Johnson, Christy; Kelley, Victoria; Knorr, Karen; Lehmann, Ulrich; Millar, Lesley; Odundo, Magdalene; Olding, Simon; Phoca, Sophia; Rogers, Kathleen; Starkey, Bradley; Voorsanger, Jessica; Waeckerlé, Emmanuelle; Wainwright, Jean and Wood, Jason (2011) University for the Creative Arts staff research 2011. University for the Creative Arts.

Bianco, Ruth (2004) Ground erasure: an investigation of the notion of "territory" through theories of deterritorialisation and machinic connectivity. UNSPECIFIED thesis, UNSPECIFIED.

Bouette, Martin (2006) The Creative Enterprise Initiative: developing an infrastructure for creative entrepreneurship.

Bouette, Martin (2007) Creative paths: supporting creative journeys through professional skills. UCCA - University College for the Creative Arts.

Bouette, Martin (2003) An investigation into art and design graduate careers: towards developing a career progression tool (appendices). UNSPECIFIED thesis, UNSPECIFIED.

Bouette, Martin (2003) An investigation into art and design graduate careers: towards developing a career progression tool (appendices). UNSPECIFIED thesis, UNSPECIFIED.

Bouette, Martin (2003) An investigation into art and design graduate careers: towards developing a career progression tool. UNSPECIFIED thesis, UNSPECIFIED.

Branagan, Ben; Pendrell, Luke and Verhoeven, Eva (2012) Doggerland. Ponsonby Press.

Brown, Victoria (2010) Monologues: Victoria Brown.

Buchan, Suzanne (2007) Oscillating at the 'high/low' art divide: curating and exhibiting animation. In: UNSPECIFIED Intellect.

Burkitt, Esther and Barrett, Martyn (2010) Child and adult reports of graphic strategies used to portray figures with contrasting emotional characteristics.

Burkitt, Esther; Jolley, Richard and Rose, Sarah (2010) The attitudes and practices that shape children's drawing experience at home and at school.

C

Chubb, Shirley; Bryant, Neil; Moore, Ann and Saber-Sheikh, Kambiz (2016) Significant Walks: Synthesizing Qualitative and Quantitative Reflections on Movement and Place. In: UNSPECIFIED.

Cochrane, Claire (2016) A City's Toys: Theatre in Birmingham 1914-1918. In: UNSPECIFIED Palgrave Macmillan.

Cochrane, Claire (2012) Engaging the Audience: A Comparative Analysis of Developmental Strategies in Birmingham and Leicester since the 1990s. In: UNSPECIFIED Exeter University Press.

Cochrane, Claire (2015) 'Producing the Scene': the Evolution of the Director in British Theatre 1900-50. In: UNSPECIFIED Bloomsbury Methuen Drama.

Cochrane, Claire (1993) Shakespeare and the Birmingham Repertory Theatre 1913-1929. Society for Theatre Research.

Cochrane, Claire (2016) Shakespeare and the Re/Vision of Indian Heritage in the Postcolonial British Context. In: UNSPECIFIED SAGE Publications.

Cooper, C.; Dalmasso, Frederic and Lamb, T. (2013) The ‘Problem’ of Youth 2012-13 - Participatory Action Research & Drama Workshops. In: UNSPECIFIED.

Couch, Amanda (2012) Artistic identity: framing research within practice. In: UNSPECIFIED.

Coyle, Paul (2007) Cultural change - establishing a culture of creativity for higher education staff and their students. In: UNSPECIFIED.

D

Dalmasso, Frederic (2013) Badiou's Spectator-Subject and Fireworks Politics.

Dalmasso, Frederic (2013) Badiou's Spectator-Subject and Fireworks Politics.

Davies, Andy (2016) Vincent’s Starry Night and Other Stories by Michael Bird - Book Review (for the Association of Illustrators Blog). The Association of Illustrators.

Derksen, Uwe (2010) Creative Challenge research report. UNSPECIFIED. University for the Creative Arts.

Dettmers, Silke (2007) On the necessity of wonder: how to explain an artwork to a committee.

E

Elliott, Paul (2017) Through Class Darkly: Class in the British TV Noir. In: UNSPECIFIED Palgrave.

F

Foster, Alicia (2009) Gender relations in the arts. In: UNSPECIFIED.

Fowler, Stephen (2016) Rubber Stamping: Get Creative with Stamps, Rollers and Other Printmaking Techniques. Laurence King Publishing.

Froome-Lewis, Oliver; Leach, Neil; Worton, Nicola and Hock, Katja (2001) Mars Pants: covert histories, temporal distortions, animated lives. Architecture Foundation.

G

Garrett, Leigh (2013) Err, what do I do with this? Exploring infrastructure requirements for visual arts researchers. In: UNSPECIFIED.

Garrett, Leigh (2013) Introducing research data management in the visual arts. In: UNSPECIFIED.

Garrett, Leigh and Robinson, Amy (2012) Spot the Difference! Visual plagiarism in the visual arts.

Golz, Paul; Bowers, Christopher and Price, Marc (2016) A Practical Approach to Using Motion Capture in Performance Dance.

Golz, Paul and Shaw, A. (2014) Augmenting Live Performance Dance through Mobile Technology.

Golz, Paul and Smith-Nunes, G. (2015) [arra]stre - a Data-driven Ballet.

Gregor, Morven; Loose, Gerry; Stephen, Ian and Waeckerlé, Emmanuelle (2010) Crossing Alba. Collins Gallery.

H

Hannaford, Lucy; Marsh, Phillip and Matysova, Claire (2011) Podcasting: engaging disabled and dyslexic students in the creative arts through the medium of podcasting. UCA.

Hassall, Lee (2012) Performing Monstrosity in the City. In: UNSPECIFIED.

Hassall, Lee (2013) Postcards From Hashima. In: UNSPECIFIED.

Hassall, Lee (2013) Postcards From Hashima. In: UNSPECIFIED.

Hassall, Lee (2011) Trace: Displaced. Parthian.

Herbaut, Kasia (2015) Unbearable darkness of being... : a research-led performance exploring trauma, dissociation and the study of human survival. UNSPECIFIED thesis, UNSPECIFIED.

Hunt, Chris (2012) Gilles Deleuze and Felix Guattari, a thousand plateaus [Mille plateaux] (1980). In: UNSPECIFIED Routledge.

Hunt, Chris (2012) Martin Heidegger, 'The origin of the work of art' ['Der ursprung des kunstwerkes'] (1935). In: UNSPECIFIED Routledge.

Hunt, Chris (2012) Wilhelm Worringer 'Abstraction and empathy' ['Abstraktion und einfuhlung'] (1908). In: UNSPECIFIED Routledge.

Hunter, Victoria (2014) The Abbots Dances (2014) Abstracts. [Video]

Hunter, Victoria (2013) Creative Pathways: Developing Lifelong Learning for Community Dance Practitioners. In: UNSPECIFIED Manchester University Press.

Hunter, Victoria (2013) Creative pathways: Developing lifelong learning for community dance practitioners. In: UNSPECIFIED Manchester University Press.

Hunter, Victoria (2014) Dancing The Beach - Film. [Video]

Hunter, Victoria (2015) 'Dancing the Beach: Between Land, Sea and Sky'. In: UNSPECIFIED ROUTLEDGE.

Hunter, Victoria (2005) 'Embodying the Site: The here and Now in Site-Specific Dance Performance'.

Hunter, Victoria (2009) 'Experiencing Space: The Implications for Site-Specific Choreography'. In: UNSPECIFIED ROUTLEDGE.

Hunter, Victoria (2010) 'Getting Lost: Site-specific Performance and Relocation'.

Hunter, Victoria (2012) ‘Moving Sites’: Transformation and Re-location in Site-specific Dance Performance.

Hunter, Victoria (2011) 'Spatial Translation and 'Present-ness' in Site-Specific Dance Performance'.

Hunter, Victoria and Gladstone, Pauline (2009) Dance and Social Inclusion: Facilitating the Process, Developing Graduate Employability.

J

James, David (2009) The Potential of the Global Cultural Industries. In: UNSPECIFIED.

Johnston, Rachel (2015) Art in Mind. UNSPECIFIED. University of Chichester.

Johnston, Rachel (2014) Fine Art Beyond the Studio: Fine Art External Projects. In: UNSPECIFIED.

K

Kelley, Victoria (2013) A superficial guide to the deeper meanings of surface. In: UNSPECIFIED Manchester University Press.

Kohe, Geoff (2011) Body Commons: Toward an Interdisciplinary Study of the Somatic Spectacular.

Kohe, Geoff and Newman, Joshua (2011) Body Commons: Toward an Interdisciplinary Study of the Somatic Spectacular.

Kotting, Andrew (2009) Beside the seaside, beside the sea. In: UNSPECIFIED Peter Lang Ltd..

Kotting, Andrew (2006) Hidy-hole and inner sanctum. In: UNSPECIFIED Palgrove Macmillan.

Kotting, Andrew and Sinclair, Ian (2012) Swandown. [Art/Design Item]

Kubicki, Kathy (2010) Shirin Neshat. In: UNSPECIFIED Phaidon.

L

Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing.

Lang, Martin and Grimwood, Tom (2012) Militant training camp and the aesthetics of civil disobedience.

Lehmann, Ulrich (2012) Making as knowing: epistemology and technique in craft.

Lehmann, Ulrich (2012) Mode gegen Moderne. In: UNSPECIFIED Wilhelm Fink.

Lehmann, Ulrich (2011) Sampling and the materiality of sound. In: UNSPECIFIED V&A Publishing.

Lehmann, Ulrich (2007) Science, art and cognition. In: UNSPECIFIED Verlag Scheidegger & Spiess.

Lehmann, Ulrich (2000) Tigersprung: fashion in modernity. MIT Press.

Lehmann, Ulrich (2007) The uncommon object: surrealist concepts and categories for the material world. In: UNSPECIFIED V&A Publications.

Little, Jonathan D. (1990) Cultural Years [SCRIPT 1 of 7]. "Music, the Arts and Society at the time of the Great Exhibition of 1851" [RADIO SERIES].

Little, Jonathan D. (1990) Cultural Years [SCRIPT 2 of 7]. "Music, the Arts and Society at the time of the Weltausstellung Wien of 1873" [RADIO SERIES].

Little, Jonathan D. (1990) Cultural Years [SCRIPT 3 of 7]. "Music, the Arts and Society at the time of the Paris Exposition Universelle of 1889" [RADIO SERIES].

Little, Jonathan D. (1990) Cultural Years [SCRIPT 4 of 7]. "Music, the Arts and Society at the time of the Paris Exposition Universelle of 1900" [RADIO SERIES].

Little, Jonathan D. (1990) Cultural Years [SCRIPT 5 of 7]. "Music, the Arts and Society to the eve of the First World War (Exposition Universelle et Industrielle, Ghent - 1913)" [RADIO SERIES].

Little, Jonathan D. (1990) Cultural Years [SCRIPT 6 of 7]. "Music, the Arts and Society at the time of the Expositión Internacional de Barcelona in 1929" [RADIO SERIES].

Little, Jonathan D. (1990) Cultural Years [SCRIPT 7 of 7]. "Music, the Arts and Society at the time of the Exposition Internationale des Arts et Techniques dans la Vie Moderne in Paris of 1837" [RADIO SERIES].

Little, Jonathan D. (1990) Cultural Years: An Artistic Treasure Hunt.

Little, Jonathan D. (2010) The Influence of European Literary and Artistic Representations of the "Orient" on Western Orchestral Compositions, ca.1840-1920: From Oriental Inspiration to ‘Exotic’ Orchestration. Edwin Mellen Press.

Little, Jonathan D. (1992) Nostalgia, Exoticism and Brilliant Colour.

M

Martin, Craig (2008) Legitimating movement: the organisational forces of contemporary timespace. In: UNSPECIFIED Anthony Rowe Publishing Services.

Martin, Craig (2011) Turbulent stillness: the politics of uncertainty and the undocumented migrant. In: UNSPECIFIED Routledge.

Martin, Craig (2006) We are all friends now: hybrid practices and Georg Simmel's modes of interaction. In: UNSPECIFIED a-n publications.

Martin, Craig (2010) A discussion of after method: mess in social science research by John Law. In: UNSPECIFIED ICA.

Martin, Craig (2009) The methodology of mailmen: on delivering theory. In: UNSPECIFIED Cambridge Scholars Publishing.

Mey, Kerstin (2008) How do we know it works? On the evaluation of creative practices. In: UNSPECIFIED University of Ulster.

Millar, Lesley (2013) Surface as practice. In: UNSPECIFIED Manchester University Press.

Millar, Lesley (2012) Transparent boundaries colloquium. In: UNSPECIFIED.

N

Nicholson, Mike (2007) Book artist case study XXII, Mike Nicholson, Ensixteen Editions London, UK. In: UNSPECIFIED Impact Press.

Nicholson, Mike (2008) Notes on the properties of a liquid page.

O

Olding, Simon and Vacher, Jean (2012) Robin Tanner. Crafts Study Centre.

P

Parfitt, Clare (2007) Chahut: The mediation of rationalism and the unruly body in the cancan. In: UNSPECIFIED.

Parfitt, Clare (2009) Cyborg Cinema: (Dis)Embodying Cultural Memory in the Digital Age.

Parfitt, Clare (2009) From fairground site to website: the dancing body and visual technology in early film and YouTube. In: UNSPECIFIED.

Parfitt-Brown, Clare (2016) Cancan.

Parfitt-Brown, Clare (2014) Cancan vs. the State: archival traces of the battle for Parisian bodies. In: UNSPECIFIED.

Parfitt-Brown, Clare (2012) Paris Dansant? Improvising across urban, racial and international geographies in the early cancan. In: UNSPECIFIED.

Parfitt-Brown, Clare (2013) Society Dancing: Fashionable Bodies in England, 1870–1920 by Theresa Jill Buckland. 2011. Houndmills, Basingstoke, UK: Palgrave Macmillan. 264 pp., 19 illustrations, appendix, notes, bibliography, index. $85.00 cloth.

Parfitt-Brown, Clare; McMains, Juliet and Robinson, Danielle (2011) Current Problems & Methods in Dance Reconstruction: Focus on Cross-Cultural and Social Dance Reconstruction. In: UNSPECIFIED.

Patrizio, Andrew and Theophilius, Linda (1998) New Work: Polly Binns and Shirley Chubb. King's Lynn Arts Centre.

R

Rahtz, Dominic (2011) Daniel Buren's theoretical practice. In: UNSPECIFIED Intellect.

Rahtz, Dominic (2009) Figures of interpretation.

Rahtz, Dominic (2006) Literality and absence of self in the work of Carl Andre. In: UNSPECIFIED Ridinghouse.

Rahtz, Dominic (2007) Robert Smithson. In: UNSPECIFIED Berg.

Rahtz, Dominic (2011) The artist as worker.

Rippel, Ildiko (2011) Virtual Infants in Zoo Indigo’s Under the Covers This is Now, This is Live….

Rippel, Ildiko and Garton, R. (2016) No Woman's Land. [Performance]

Robinson, Amy (2008) Picshare UK final report. UNSPECIFIED. JISC.

Rogers, Kathleen and Holme, Adrian (2009) Jam! art, science and beyond. In: UNSPECIFIED.

Rowland, Natalie (2015) Lighting the lit: luminosity as protagonist in mediated performance. In: UNSPECIFIED.

Rowland, Natalie (2015) Lost in Translation? compromises and assumptions in lighting programming syntaxes. In: UNSPECIFIED.

Roworth-Stokes, Seymour (2010) Capturing and retaining knowledge to improve design group performance.

Roworth-Stokes, Seymour (2003) Intrapreneurship and the management of research centre growth in university art and design departments. UNSPECIFIED thesis, UNSPECIFIED.

Roworth-Stokes, Seymour (2006) Professionalizing a cottage industry: KTPs and design group development.

Rubidge, Sarah F. (2010) How art matters. In: UNSPECIFIED.

Rubidge, Sarah F. (2010) How art matters.

Rugg, Judith (2003) Class, gender, invisibility and the autograph: Alison Marchant's oppositional encounters with space. In: UNSPECIFIED Intellect Books.

Rugg, Judith (2010) Exploring site-specific art: issues of space and internationalism. I. B. Tauris.

Rugg, Judith (2007) Issues in curating contemporary art and performance. Intellect Books.

Rugg, Judith (2001) Regeneration or reparation: death, loss and absence in Anya Gallaccio's intensities and surfaces and forest floor. In: UNSPECIFIED Intellect Books.

Rugg, Judith (2005) Sophie Calle's appointment at the Freud Museum: intervention or irony. In: UNSPECIFIED Routledge.

Rugg, Judith and Hinchcliffe, Daniel (2002) Recoveries and reclamations: advances in art and urban futures. Intellect Books.

Ryland, Susan (2011) Resisting metaphors: a metonymic approach to the study of creativity and cognition in art analysis and practice. UNSPECIFIED thesis, UNSPECIFIED.

S

Schad, J and Dalmasso, Frederic (2012) Someone Called Derrida. [Performance]

Schad, J. and Dalmasso, Frederic (2015) Last Train to Oxford (Someone Called Derrida). [Show/Exhibition]

Selby, Mark (2014) The Gibson Girl: a reflection on kite flying.

Shelton, Anthony; Reason, David and Hilty, Greg (1995) Hold: Acquisition, Representation, Perception: Work by Shirley Chubb. Green Centre for Non-Western Art and Culture at the Royal Pavilion, Art Gallery and Museums.

Smith, Bob; Smith, Roberta and Voorsanger, Jessica (2006) Hearing voices, seeing things. Serpentine Gallery.

Smith-Nunes, G.; Cook, P.; Neale, Camilla and Golz, Paul (2016) Data Network Simulator with Classical Ballet. In: UNSPECIFIED.

Somerville, Daniel (2016) Dancing 'Nessun Dorma'. In: UNSPECIFIED.

Somerville, Daniel (2016) Violetta Undone: Getting Closer to Opera By Not Making Opera. In: UNSPECIFIED.

Spalding, Mary-Anne (2012) Managing an arts institutional repository.

Student, A. (2016) Art that interrupted Amnesia; an Adornian study of Anselm Kiefer and Sigmar Polke's Post Third Reich Artworks. UNSPECIFIED thesis, UNSPECIFIED.

Student, A. (2016) Examining the Naked Female in Feminist performance. UNSPECIFIED thesis, UNSPECIFIED.

Student, A. (2016) An Exploration into the Formation of Sexuality and Lesbianism, with an analysis of the film ‘But I’m Cheerleader’. UNSPECIFIED thesis, UNSPECIFIED.

Student, A. (2016) Is This How We Die? Why Capitalism Demands from us that we Accelerate More, Produce More and Die. UNSPECIFIED thesis, UNSPECIFIED.

Summers, Francis (2011) (Re)counting love: Martin Arnold's pièce touchée. In: UNSPECIFIED.

Swift, Elizabeth (2012) The Live/Mediated Mash.

Swift, Elizabeth (2010) Really Doing It – An Exploration of Strategies for Interaction in Intermedial Performance. In: UNSPECIFIED.

T

Tappenden, Curtis (2010) Out of our minds: exploring attitudes to creative writing relating to art and design practice and personal identity.

Tappenden, Curtis and Laslett, Penny (2009) The 14-19 Diploma: partnering and piloting the agenda within Higher Education to enhance and inspire future learners. [Art/Design Item]

Taylor, Rebekah and Martin-Bowtell, Adele (2013) UCA @ UCA: utilising creative archives at the University for the Creative Arts. In: UNSPECIFIED.

W

Wainwright, Jean (2002) Interview with Tracey Emin. In: UNSPECIFIED Thames & Hudson.

Wainwright, Jean (2010) Speaking of art: four decades of art in conversation. Phaidon.

Wheeler, Mike; Prankel, Susanne; Swift, Elizabeth; Fisher, Julie and Reeves, Alison (2014) All the Lab's a Stage: the Use of Drama to Promote Engagement in Higher Education Science. In: UNSPECIFIED.

Wilson, Gillian (2009) Life and art: work related learning in Margate. University for the Creative Arts.

Z

Zanotti, Marisa; Anderson, Lea and Ballantyne, Ian (2016) The Pans People Papers. [Artefact]

This list was generated on Tue Mar 28 04:52:26 2017 BST.