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Group by: Creators | Item Type
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Number of items: 161.

B

Bacon, Jane (2009) The Choreographic Lab. [Show/Exhibition]

Bacon, Jane (2012) Dance, movement and spiritualities.

Bacon, Jane (2013) Embodied and direct experience in performance studies. In: UNSPECIFIED Cambridge Scholars Publishing.

Bacon, Jane (2012) Her body finds a voice: authentic movement in an imaginal world.

Bacon, Jane (2009) Landscape and Art. [Show/Exhibition]

Bacon, Jane (2004) Myths and Stories by Her. [Show/Exhibition]

Bacon, Jane (2009) Myths and stories by her. In: UNSPECIFIED Palgrave Macmillan.

Bacon, Jane (2006) Myths of woman: Arabic dancing in a non-Arabic world. In: UNSPECIFIED Königshausen & Neumann.

Bacon, Jane (2010) Psyche and artistic creativity. In: UNSPECIFIED.

Bacon, Jane (2007) Psyche moving: ‘active imagination’ and ‘focusing’ in movement-based performance and psychotherapy.

Bacon, Jane (2010) Psyche’s Witness. [Show/Exhibition]

Bacon, Jane (2011) Psyche’s Witness and Sensualities. [Show/Exhibition]

Bacon, Jane (2010) Sitting Practice. [Show/Exhibition]

Bacon, Jane (2009) Sitting practice: expansion earth. In: UNSPECIFIED.

Bacon, Jane (2010) Sitting/walking/practice: reflections on a woman’s creative process.

Bacon, Jane (2011) Transcendence and illumination: somatic practice-led research as transformative. In: UNSPECIFIED.

Bacon, Jane (2006) The feeling of the experience: a methodology for performance ethnography. In: UNSPECIFIED Trentham Books.

Bacon, Jane (2010) The voice of her body: somatic practices as a basis for creative research methodology.

Bacon, Jane; Adams, John and Thynne, Lizzie (2009) Peer review and criteria: a discussion. In: UNSPECIFIED Palgrave Macmillan.

Bacon, Jane and Midgelow, Vida (2011) Articulating choreographic practices, locating the field: an introduction.

Bacon, Jane and Midgelow, Vida (2007) Revealing and concealing the in/visible-un/thinkable in articulating dance. In: UNSPECIFIED.

Bacon, Jane and Wainwright, Richard (2007) Authentic movement. In: UNSPECIFIED.

Bray, Jacob (2014) 50 shades of bray: intertextuality in autobiographical work #PopCulture. UNSPECIFIED thesis, UNSPECIFIED.

Briginshaw, Valerie A. (2001) Dance, Space and Subjectivity. Palgrave.

Briginshaw, Valerie A. (2001) Dance, space and subjectivity. UNSPECIFIED thesis, UNSPECIFIED.

Briginshaw, Valerie A. (2006) Deconstruction in die orchidee: mischievous plays in the spaces between language and meanings. In: UNSPECIFIED Routledge.

Briginshaw, Valerie A. (2005) From performance through narrative to interconnected subjectivities. In: UNSPECIFIED Peter Lang.

Burt, Ramsay M. B. (1994) Representations of masculinity in theatre dance with special reference to British new dance. UNSPECIFIED thesis, UNSPECIFIED.

C

Childs, Cathy (2014) The Identity of Dance in Higher Education in the UK. In: UNSPECIFIED.

Childs, Cathy and Clegg, Andrew (2016) Dance Map - The Employability Journey. In: UNSPECIFIED.

Childs, Cathy and Clegg, Andrew (2016) Dance Map - The Employability Journey. [Teaching Resource]

Childs, Cathy; Reed, Sara; Holt, Duncan; Preece, Kelly and Pickard, Angela (2015) Dance in Higher Education in the UK. In: UNSPECIFIED.

D

Davidson, Andrea (2001) Body images and new media: towards a laboratory of dance and new media at Université Paris 8.

Davidson, Andrea (2006) D'annachronique... pavlova moi and Anaphorique(s). [Video]

Davidson, Andrea (2016) Extending the discourse of screendance: digital dance. In: UNSPECIFIED Oxford University Press.

Davidson, Andrea (2011) Intersensoriality, immersion and environment in digital art: Paroles trouvées, a spatialised musical, videochoreographic, optical installation.

Davidson, Andrea (2015) Isabelle Choiniere: Corps Mediatises.

Davidson, Andrea (2001) La morsure: a digital interactive choreography. In: UNSPECIFIED Marsilio Editori.

Davidson, Andrea (2001) Maâlem Experience. [Show/Exhibition]

Davidson, Andrea (2016) Mediated Bodies and Intercorporeality: Isabelle Choiniere's Flesh Waves.

Davidson, Andrea (2016) Ontological shifts: Multi-sensoriality and embodiment in a third wave of digital interfaces.

Davidson, Andrea (2009) Paroles trouvées. [Show/Exhibition]

Davidson, Andrea (2009) Paroles trouvées. [Video]

Davidson, Andrea (2009) Scenes Saint-Denis. [Video]

Davidson, Andrea (2014) Somatics and technology. In: UNSPECIFIED.

Davidson, Andrea (2014) Telematics in dance: 'Machines for seeing modify perception'. In: UNSPECIFIED.

Davidson, Andrea; Chen, Chu-Yin; Poissant, Louise and Bret, Michelle (2006) Bains Numeriques # 1: Danse et Nouvelles Technologies. Centre des Arts Enghien les Bains.

Davidson, Andrea and Kelly, Jem (2011) Digital perception, time and memory: towards a new model of narration in dance.

Davidson, Andrea and Kelly, Jem (2009) Inter_views. [Show/Exhibition]

Davidson, Andrea and Kelly, Jem (2009) Inter_views: an interactive telematic research project for internet. [Video]

F

Farman, Virginia (2006) Bicycle Ballet. [Video]

Farman, Virginia (2006) Bicycle Ballet. [Show/Exhibition]

Farman, Virginia (2002) Blush. [Show/Exhibition]

Farman, Virginia (2013) Everyday Hero. [Show/Exhibition]

Farman, Virginia (2009) Shoe Nail Dance. [Show/Exhibition]

Farman, Virginia (2010) Smorgasboard. [Show/Exhibition]

Farman, Virginia (2012) Tandem Ballet; re-envisioning of Bicycle Ballet for blind and visually impaired performers. [Show/Exhibition]

Flexer, Yael (2015) Awakening. [Show/Exhibition]

Flexer, Yael (2016) Disappearing Acts. [Show/Exhibition]

Flexer, Yael (2003) Exit Plan. [Show/Exhibition]

Flexer, Yael (2003) Exit Plan. [Video]

Flexer, Yael (2003) Flexible Shorts. [Show/Exhibition]

Flexer, Yael (2003) Flexible Shorts. [Video]

Flexer, Yael (2013) In-Between dancing and the everyday: A Choreographic Investigation. UNSPECIFIED thesis, UNSPECIFIED.

Flexer, Yael (2010) The Living Room. [Show/Exhibition]

Flexer, Yael (2010) The Living Room. [Video]

Flexer, Yael (2011) Not About Love. [Show/Exhibition]

Flexer, Yael (2007) Shrink'd. [Show/Exhibition]

Flexer, Yael (2007) Shrink'd. [Video]

Flexer, Yael (2015) Vortex - Project Y 2015. [Show/Exhibition]

Flexer, Yael (2013) Weightless. [Video]

Flexer, Yael (2010) What If. [Show/Exhibition]

Flexer, Yael and Sandiland, Nic (2007) Doing, Done & Undone. [Show/Exhibition]

Flexer, Yael and Sandiland, Nic (2007) Doing, Done & Undone. [Video]

Flexer, Yael and Sandiland, Nic (2010) Orbital. [Show/Exhibition]

Flexer, Yael; Wright, Ben and Charmock, Nigel (2011) Consequences. [Show/Exhibition]

H

Hayes, Jill (2006) Dance movement therapy with undergraduate dance students: 'special ingredients' in the development of playfulness, self-confidence and relationship. In: UNSPECIFIED Routledge.

Hayes, Jill (2010) Dancers in a Dance Movement Therapy Group: Links between Personal Process, Choreography and Performance. UNSPECIFIED. Lambert Academic Publishing.

Hayes, Jill (2011) Moving the metaphor: An act of surrender.

Hayes, Jill (2007) Performing the Dreams of Your Body: Plays of Animation and Compassion. Archive Publishing.

Hayes, Jill (2011) The creative arts in dementia care. In: UNSPECIFIED.

Hayes, Jill (2011) The expressive body as point of contact in dementia care.

Howe, Detta (2013) The Body and Being in Performance - deep awareness to enrich a dance practice. UNSPECIFIED thesis, UNSPECIFIED.

Howe, Detta (2016) Doing dancing... Being in dance: undoing the danced body - Feldenkrais and awareness in motion. In: UNSPECIFIED.

Howe, Detta (2011) Fine Tuning the Art of Noticing - a practical study to explore attention, awareness and presence in a dancing body through practice and performance. UNSPECIFIED thesis, UNSPECIFIED.

Howe, Detta (2011) Seeing, Being, Being Seen. [Show/Exhibition]

Howe, Detta (2014) sometimes. [Show/Exhibition]

Howe, Detta and Tomos, Cai (2014) yes I am, no I'm not (here right now). [Show/Exhibition]

Hunter, Victoria (2015) A Dance For You. [Show/Exhibition]

Hunter, Victoria (2009) Experiencing space: The implications for site-specific choreography. In: UNSPECIFIED Routledge.

Hunter, Victoria (2012) ‘Moving Sites’: Transformation and re-location in site-specific dance performance.

Hunter, Victoria (2016) Radicalizing Institutional Space: Revealing the Site through Phenomenological Movement Inquiry. In: UNSPECIFIED Rowman and Littlefield.

Hunter, Victoria (2011) Spatial translation and 'present-ness' in site-specific dance performance.

Hunter, Victoria and Gladstone-Barrett, Pauline (2016) The power of dance to transform the lives of disadvantaged youth. In: UNSPECIFIED Oxford University Press.

K

Kay, Louise (2015) An exploration into effectiveness of dance movement psychotherapy with people who have dementia. UNSPECIFIED thesis, UNSPECIFIED.

M

McKee, Jayne (2015) Fascia and Dance: Exploring the Science Behind the Somatics. In: UNSPECIFIED.

McKee, Jayne (2015) Students as Partners in Dance Research: Changing My Approach to Teaching. In: UNSPECIFIED.

Mortimer, KJ (2014) Elevate Summer School. In: UNSPECIFIED.

Mortimer, KJ (2016) Grad-Lab. The Point.

Mortimer, KJ (2014) Professional Dance Class. [Teaching Resource]

Mortimer, KJ (2014) Retrospectif Dance Company. [Teaching Resource]

N

Nugent, Ann (2009) Extending critical voices between the lecture room and the dance studio.

Nugent, Ann (2010) William Forsythe and the model viewer. In: UNSPECIFIED.

Nugent, Ann (2010) The dancing texts of William Forsythe.

P

Parfitt, Clare (2009) From fairground site to website: the dancing body and visual technology in early film and YouTube. In: UNSPECIFIED.

Parfitt, Clare (2009) ‘Like a butterfly under glass’: the cancan, Loïe Fuller and cinema.

Parfitt, Clare (2008) The contredanse, the quadrille, and the cancan: dancing around democracy in post-revolutionary Paris. In: UNSPECIFIED.

Parfitt-Brown, Clare (2011) First kicks: Translating early sources on the cancan. In: UNSPECIFIED.

Parfitt-Brown, Clare (2012) Paris Dansant? Improvising across urban, racial and international geographies in the early cancan. In: UNSPECIFIED.

Parfitt-Brown, Clare (2010) Popular past, popular present, post-popular?

Parfitt-Brown, Clare (2010) Popular past, popular present, post-popular?

Parfitt-Brown, Clare (2013) Society Dancing: Fashionable Bodies in England, 1870–1920 by Theresa Jill Buckland. 2011. Houndmills, Basingstoke, UK: Palgrave Macmillan. 264 pp., 19 illustrations, appendix, notes, bibliography, index. $85.00 cloth.

Parfitt-Brown, Clare (2013) The problem of popularity: the cancan between the French and digital revolutions. In: UNSPECIFIED Ashgate.

Parker, David; Bacon, Jane and Evans, Michael (2011) Enchantment: contemporary arts and depth experience. In: UNSPECIFIED.

R

Rubidge, Sarah F. (2010) Diagramming movement between the cartographic and the choreographic: research report. UNSPECIFIED. Sarah Rubidge.

Rubidge, Sarah F. (2010) Fugitive moments. [Video]

Rubidge, Sarah F. (2010) Fugitive moments: Artist's report of research project undertaken as part of the Wellcome Trust People's Award (2004-2006). UNSPECIFIED. Sarah Rubidge.

Rubidge, Sarah F. (2006) Global Drifts. [Show/Exhibition]

Rubidge, Sarah F. (2006) Global Drifts. [Video]

Rubidge, Sarah F. (2010) How art matters. In: UNSPECIFIED.

Rubidge, Sarah F. (2010) How art matters.

Rubidge, Sarah F. (2002) Identity in flux: A practice-based interrogation of the ontology of the open dance work. In: UNSPECIFIED Verve Publishing.

Rubidge, Sarah F. (2009) Nomadic Diagrams: Choreographic Topologies. In: UNSPECIFIED.

Rubidge, Sarah F. (2011) On choreographic space. In: UNSPECIFIED.

Rubidge, Sarah F. (2009) Performing installations: towards an understanding of choreography and performativity in interactive installations. In: UNSPECIFIED Routledge.

Rubidge, Sarah F. (2003) Sensuous Geographies. [Video]

Rubidge, Sarah F. (2003) Sensuous Geographies: An interactive installation. [Show/Exhibition]

Rubidge, Sarah F. (2006) Sensuous geographies and other installations: interfacing the body and technology. In: UNSPECIFIED Palgrave Macmillan.

Rubidge, Sarah F. (2003) Spaces of sensation: The immersive installation and corporal literacy. In: UNSPECIFIED.

Rubidge, Sarah F. (2009) Towards an understanding of choreography and performativity in interactive installations. In: UNSPECIFIED Routledge.

Rubidge, Sarah F. (2008) Towards an understanding of liminal imagery in the digital domain. In: UNSPECIFIED.

Rubidge, Sarah F. (2008) Understanding in our bodies: nonrepresentational imagery and dance. In: UNSPECIFIED.

Rubidge, Sarah F. and Jannides, Chris (2008) In/extensive topologies. In: UNSPECIFIED.

Rubidge, Sarah F. and MacDonald, Alistair (2003) Sensuous Geographies: research report. UNSPECIFIED. Sarah Rubidge.

Rubidge, Sarah F. and Sky, Hellen (2006) Global Drifts: Final artistic research report. UNSPECIFIED. Sarah Rubidge.

Rubidge, Sarah F. and Sky, Hellen (2006) Global Drifts: interim research report: creative development stage 1. UNSPECIFIED. Sarah Rubidge.

Rubidge, Sarah F. and Stones, Alan (2009) Sensing Sounding Place. In: UNSPECIFIED.

Rubidge, Sarah F. and Wijnans, Stan (2007) A preliminary exploration of the choreographic potential of new motion tracking technologies in conjunction with interactive ambisonic surround sound. UNSPECIFIED. University of Chichester.

S

Sakuta, Asuka (2013) Exhibit 1-6. [Show/Exhibition]

Sakuta, Asuka (2016) 'Flow' Experience in Dance. In: UNSPECIFIED.

Sakuta, Asuka (2016) Lecture: Neurophenomenology of Flow and Meditative Moving. In: UNSPECIFIED.

Sakuta, Asuka (2016) Meditation in Movement: Kin(a)esthetic Flow. In: UNSPECIFIED.

Sakuta, Asuka (2016) Meditative Dancing and 'Flow'. In: UNSPECIFIED.

Sakuta, Asuka (2015) Motion - Perception - Motion: dance & mental states. In: UNSPECIFIED.

Sakuta, Asuka (2015) Multidisciplinary Research on Japanese Dance Training and 'Flow'. In: UNSPECIFIED.

Student, A. (2016) An Analytical Study into Authenticity in Dance Performance, Through the exploration of Jean Baudrillard's Theory of Hyperreality and The Real, to Uncover the Possibility of a Kinaesthetic Real. UNSPECIFIED thesis, UNSPECIFIED.

T

Taylor, Virginia Christine (2003) BALLERINAS IN THE CHURCH HALL: IDEOLOGIES OF FEMININITY, BALLET, AND DANCING SCHOOLS. UNSPECIFIED thesis, UNSPECIFIED.

W

Wallis, Fiona From 'The Green Table' to 'The Refugees': A journey between texts. [Video]

Z

Zanotti, Marisa (2005) At the End of the Sentence. [Video]

Zanotti, Marisa (2006) Edges 2. [Show/Exhibition]

Zanotti, Marisa (2006) Edges 2. [Video]

Zanotti, Marisa (2009) Moving Screens. In: UNSPECIFIED Goat Media.

Zanotti, Marisa (2010) Myth and legend.

Zanotti, Marisa (2016) The Pan's People Papers: A Glamorous Archive. In: UNSPECIFIED.

Zanotti, Marisa (2011) Passing Strange and Wonderful. [Video]

Zanotti, Marisa (2003) San Diego. [Show/Exhibition]

Zanotti, Marisa (2003) San Diego. [Video]

Zanotti, Marisa (2011) What if... [Show/Exhibition]

Zanotti, Marisa (2010) When dance is imagined in cinema: Disclosure in dance practice.

Zanotti, Marisa (2007) Wipe Out. [Video]

Zanotti, Marisa (2007) Wipe Out/Edges. [Show/Exhibition]

This list was generated on Mon Mar 27 04:42:34 2017 BST.