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Number of items: 39.


Barr, Charles (1999) English Hitchcock. Cameron & Hollis.

Barr, Charles (2009) Irish brother Feeney: Francis Ford in John Ford's films. In: UNSPECIFIED Irish Academic Press.

Barr, Charles (2013) 'Let's just watch it for a minute': This is your life in 1958. In: UNSPECIFIED Bloomsbury Academic.

Barr, Charles (2011) "The knock of disapproval": Juno and the Paycock and its Irish reception. In: UNSPECIFIED Columbia University Press.

Bicât, Tina (2007) Puppets and performing objects: a practical guide. The Crowood Press.


Cherry, Brigid (2012) Before the Night is Through: 'True Blood' as Cult TV. In: UNSPECIFIED I.B, Tauris.

Cherry, Brigid (2012) Beyond 'Suspiria': The Place of European Cinema in the Fan Canon. In: UNSPECIFIED Columbia University Press.

Cherry, Brigid (2010) The Black Parade: Images of Madness and Death in Alternative Music Video. In: UNSPECIFIED Cambridge Scholars Publishing.

Cherry, Brigid (2011) A Cosy Catastrophe: genre, national cinema, and fan responses to '28 Days Later'. In: UNSPECIFIED McFarland.

Cherry, Brigid (2014) Daughters of darkness: vampire aesthetics and gothic beauty. In: UNSPECIFIED Scarecrow Press.

Cherry, Brigid (2013) Defanging the Vampire: Projected Interactivity and All Human 'Twilight' Fanfic. In: UNSPECIFIED I.B. Tauris.

Cherry, Brigid (2013) Extermi…Knit!: Female Fans and Feminine Handicrafting. In: UNSPECIFIED Intellect.

Cherry, Brigid (2009) From Cult to Subculture: Re-imaginings of Cult Texts in Alternative Music Video. In: UNSPECIFIED Scope: An Online Journal of Film and Television Studies.

Cherry, Brigid (2013) Gothic On the Small Screen. In: UNSPECIFIED Routledge.

Cherry, Brigid (2008) Gothics and Grand Guignols: Violence and the Gendered Aesthetics of Cinematic Horror.

Cherry, Brigid (2009) Horror. Routledge.

Cherry, Brigid (2007) Imperfect Geometry: Identity and Culture in Clive Barker’s 'The Forbidden' and Bernard Rose’s 'Candyman'. In: UNSPECIFIED Manchester University Press.

Cherry, Brigid (2013) 'It’s the end, but the moment has been prepared for': Audience responses to change in the new era of 'Doctor Who'. In: UNSPECIFIED I.B Tauris.

Cherry, Brigid (2011) Knit One, Bite One: Vampire Fandom, Fan Production and Feminine Handicrafts. In: UNSPECIFIED New Academia Publishing.

Cherry, Brigid (2010) Squee, Retcon, Fanwank and the Not-We: computer-mediated discourse and the online audience for NuWho. In: UNSPECIFIED Cambridge Scholars.

Cherry, Brigid (2009) Stalking the Web: horror film celebration, chat and marketing on the Internet. In: UNSPECIFIED I.B. Tauris.

Cherry, Brigid (2008) Subcultural Tastes, Genre Boundaries and Fan Canons. In: UNSPECIFIED McFarland.

Cherry, Brigid (2011) Sympathy for the Fangirl: Becky Rosen, fan identity and interactivity in 'Supernatural’. In: UNSPECIFIED ECW Press.

Cherry, Brigid (2013) 'You're this Doctor's companion. What exactly do you do for him? Why does he need you?': 'Doctor Who', Liminality and Martha the Apostle. In: UNSPECIFIED Darton, Longman and Todd.


Hackett, Jon (2015) The Ontogenesis of Cinematic Objects: Simondon, Marx and the Invention of Cinema.

Hopper, Keith (2010) "Romance and pathos among four human derelicts": Harold Pinter's adaptation of Langrishe, Go Down. In: UNSPECIFIED Dalkey Archive Press.

Hopper, Keith (2008) Undoing the fanaticism of meaning of Neil Jordan's Angel. In: UNSPECIFIED Cork University Press.


Mellins, Maria (2012) The Fantasia experience: True Blood fans, commodification and lifestyle. In: UNSPECIFIED I.B, Tauris.

Mills, Richard (2010) Pop half-cocked: a history of "Revolver". In: UNSPECIFIED Ashgate.

Mills, Richard (2015) ‘Transformer’: David Bowie’s rejection of 1960s counterculture fashion through his glam reinvention and stylings in the years 1969–1972.


Paull, Michelle (2016) People Places and Things: Addiction, Identity and Performance.

Pettitt, Lance (2011) Holywood Hobohemian: The Film Work of John T. Davis. In: UNSPECIFIED Editora Humanitas.

Pettitt, Lance (2013) "In the crack somewhere between cultures": art, cinema and migrant memory. In: UNSPECIFIED Humanitas.

Pettitt, Lance (2011) Irish exilic cinema in England.

Pettitt, Lance (2000) Screening Ireland: Film and Television Representation. Manchester University Press.


Richardson, Glenn (2008) Anne of the Thousand Days. In: UNSPECIFIED Palgrave Macmillan.

Ruddell, Caroline (2012) ‘Don’t Box Me In’: Blurred Lines in Waking Life and A Scanner Darkly.

Ruddell, Caroline and Cherry, Brigid (2012) More than Cold and Heartless: The Southern Gothic Millieu of 'True Blood’. In: UNSPECIFIED I.B. Tauris.


Stammers, Trevor (2010) Book Review: Bioethics at the Movies. Edited by Sandra Shapshay, Johns Hopkins University Press, 2009. 380 pages. Paperback. ISBN 978-0801890789. RRP: £29.

This list was generated on Tue Dec 12 04:48:34 2017 GMT.