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Number of items: 47.


Araoz, Gonzalo (2009) (Re)Creating Musical Temporality In The Carnival Of Oruro, Bolivia. In: UNSPECIFIED.

Armstrong, Victoria (2012) Gendering the musical ideal. In: UNSPECIFIED.

Armstrong, Victoria (2008) Hard bargaining on the hard drive: gender bias in the music technology classroom.

Armstrong, Victoria (2011) Technology and the Gendering of Music Education. Ashgate.


Brooks, Lee (2014) Ambitious outsiders: Morrissey, fandom and iconography. In: UNSPECIFIED Cambridge Scholars.

Bullivant, Joanna and Bullivant, Stephen (2011) Sing an old song to the Lord.


Cherry, Brigid (2010) The Black Parade: Images of Madness and Death in Alternative Music Video. In: UNSPECIFIED Cambridge Scholars Publishing.

Cherry, Brigid (2013) Cult films and music. In: UNSPECIFIED Greenwood Press.

Cherry, Brigid (2009) From Cult to Subculture: Re-imaginings of Cult Texts in Alternative Music Video. In: UNSPECIFIED Scope: An Online Journal of Film and Television Studies.


Dalgarno, Gordon (2009) Effects on muscles in the body through listening to music and emotional responses. In: UNSPECIFIED.

Dalgarno, Gordon (2008) Therapy with music precisely tuned to the individual’s own frequencies as indicated by muscle responses. In: UNSPECIFIED.

Duffett, Mark and Hackett, Jon (2013) Mediating The Agony and the Ecstasy of Phil Spector: documenting monstrosity? In: UNSPECIFIED Routledge.


Elliott, Dave; Polman, Remco and Taylor, Julie (2014) The effects of relaxing music for anxiety control on competitive sport anxiety.


Hackett, Jon Productive Boredom and Unproductive Labour: Cabaret Voltaire in the People’s Republic of South Yorkshire. In: UNSPECIFIED Bloomsbury.


McGregor, Richard (2009) Appendix II Source material used in the works of Peter Maxwell Davies, 1957–2006. In: UNSPECIFIED Cambridge University Press.

McGregor, Richard (2008) Ave Maris Stella Revisited. In: UNSPECIFIED.

McGregor, Richard (2003) Breadth, Depth or Somewhere In Between? Interpreting the compositional process in the Music of Wolfgang Rihm. In: UNSPECIFIED.

McGregor, Richard (2006) Canción Del Naranja Seco. [Composition]

McGregor, Richard (2006) Deseo. [Composition]

McGregor, Richard (2007) Fanfare “The University of Cumbria”. [Composition]

McGregor, Richard (2004) For the Fallen. [Composition]

McGregor, Richard (2010) Hunting and Forms: an Interview with Wolfgang Rihm. In: UNSPECIFIED Ashgate.

McGregor, Richard (1999) I am the Rose of Sharon. [Composition]

McGregor, Richard (2007) Interpreting Compositional Process in Wolfgang Rihm's Chiffre Cycle.

McGregor, Richard (2007) James MacMillan: O Bone Jesu.

McGregor, Richard (2006) La Balada de Agua del Mar. [Composition]

McGregor, Richard (2007) Let Thy hand be Strengthened. [Composition]

McGregor, Richard (2008) Madrigales I and II. [Composition]

McGregor, Richard (2009) Magnificat for Corinna. [Composition]

McGregor, Richard (1996) The Maxwell Davies Sketch Material in the British Library – an Appendix.

McGregor, Richard (2009) Maxwell Davies’s sources: reflections on origins, meanings and significance. In: UNSPECIFIED CUP.

McGregor, Richard (2011) Muzyka Petera Maxwella Daviesa. In: UNSPECIFIED sacrum+profanum/korporacja ha!art.

McGregor, Richard (2000) Perspectives on Peter Maxwell Davies. Ashgate Press.

McGregor, Richard (2000) Reading the Runes.

McGregor, Richard (2000) Reading the Runes – an introduction to the ‘secret’ alphabet of Peter Maxwell Davies. In: UNSPECIFIED.

McGregor, Richard (2011) Rihm's Tutuguri Appendix 1. [Report]

McGregor, Richard (2010) Rihm's Tutuguri Table.

McGregor, Richard (2009) Scots wha hae? James MacMillan and the paradoxes of Scottish cultural identity. In: UNSPECIFIED.

McGregor, Richard (2004) Star Square and Circle: aspects of compositional process in Peter Maxwell Davies's Ave Maris Stella. In: UNSPECIFIED.

McGregor, Richard (2006) Stepping Out: Maxwell Davies’s ‘Salome’ as a Transitional Work.

McGregor, Richard (2008) Towards a taxonomy of musical inspiration.

McGregor, Richard (2007) ‘Transubstantiated into the musical…’ : a critical exegesis on metaphor and actuality in James MacMillan’s Veni Veni Emmanuel. In: UNSPECIFIED The Musica Scotica Trust.

McGregor, Richard (2010) Why is it so difficult to 'talk about' inspiration? In: UNSPECIFIED.

McGregor, Richard (2006) ‘something rotten in the state of…’ (on the current state of music education). In: UNSPECIFIED.

Mills, Richard (2010) Pop half-cocked: a history of "Revolver". In: UNSPECIFIED Ashgate.


Sanchez, Xavier; Moss, Samantha L.; Twist, Craig and Karageorghis, Costas I. (2013) On the role of lyrics in the music–exercise performance relationship.


Topping, Jane (2014) The Women: 8 Films. [Show/Exhibition]

This list was generated on Tue Dec 12 04:45:45 2017 GMT.