Loisirs

Fox, Anna (2014) Loisirs. [Art/Design Item]

View this record at http://www.research.ucreative.ac.uk/3205/

Abstract

Leisure has always been a fascinating subject for photographers; in the post war period it has become particularly interesting, as it has infected all strata’s of society and, as an activity, has become as significant as going to work. We work hard and we are coerced into playing hard. Leisure activities need to be as easy to get to as the work place – they are part of the same system. In the modern environment leisure and work comfortably co-exist, they depend on each other, though not everybody agrees to take part. Leisure parks, now mushrooming in modern cities have become an integral part of the fabric of urban and suburban life; they are part of the machine. Work and leisure operate together - leisure purporting to provide the freedom that work claims it cannot do. Both spaces are controlled in particular ways; we go in and out of buildings or spaces, we get paid to go to work and then we pay to take part in leisure. Leisure activities allow us to “get away from it all” (work), to relax, to get fit and/or to discover new things about ourselves. Many leisure pursuits are designed for the whole family (work spaces are generally out of bounds for family units). Leisure can also be good for us, keep us fitter and healthier; a way of fighting off the ills of work. The leisure spaces that I photographed in Beauvais are all to some degree spectacular, they confirm a need for us to feel immersed in pleasure through leisure as opposed to the often mundane environments that dull us at work. Leisure and work appear to oppose one another (in society), one is a relief from the other. The project Loisirs, has intentionally observed leisure spaces as organized environments that direct us (the users) how to negotiate them. Many of these sites of leisure employ dynamic designs/interiors, inspiring immersion and engagement. I have become interested in a collapsing of time within the image, images that may have a closer relationship to memory than a typical decisive moment might have. These photographs were made using large and medium format cameras and portable studio lighting. Many of them have been created from a series of images, through digital construction, though I propose they represent a real memory. Digital joining is not in itself a new thing but the methods used for this project and the aims that are embedded in the work (through the use of this joining) are innovative in the way that they deal with memory and documentary story telling.

Item Type: Art/Design Item
Members: University for the Creative Arts
Depositing User: ULCC Admin
Date Deposited: 08 Nov 2016 12:57
Last Modified: 08 Nov 2016 12:57
URI: http://collections.crest.ac.uk/id/eprint/11671

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